Franchise: Mario

At an unknown time, Archie Comics pitched a comic adaptation of Super Mario to Nintendo, written by Ian Flynn with art by Tracy Yardley and Ben Bates. The existence of the pitch was first discovered after concept art was released on the site Comics Art Fan in 2015. Flynn would later post a thread about it on Twitter in 2019, revealing it was planned to begin as a four issue miniseries that would have become ongoing had it been successful. It would have focused on "narrative-driven adaptations of the games with stories bridging the canon", similar to that of Flynn's previous work on Archie's Sonic The Hedgehog and Mega Man comics. However, while the pitch was apparently well-received by Nintendo of America, it was rejected by Nintendo of Japan. Flynn later felt that the pitch was not how he would approach a Mario project in the present day, as it had "too much drama, not enough whimsy".

In 2022, Flynn revealed that Archie Comics' editor at the time Paul Kaminski had hoped to include Mario characters in "Worlds at War", a planned third crossover between the Sonic the Hedgehog and Mega Man comics. The story (which was noted to be similar to the "Secret Wars" storyline by Marvel Comics) would have taken place on a "battle planet" within the multiverse's nexus, and the Mario cast's unfamiliarity with the other heroes would have been used to help explain the crossovers to newer readers. This idea would not come to pass either, as Kaminski left Archie shortly after the second crossover "Worlds Unite" wrapped up, before having a chance to pitch the idea to Nintendo.

On February 14, 2013, Satoru Iwata announced the "Year of Luigi" in honor of the character's 30th anniversary. Over the next 13 months until the end of the Year on March 18, 2014, Nintendo released several games starring Luigi, including New Super Luigi U, Luigi's Mansion: Dark Moon, Dr. Luigi, and Mario & Luigi: Dream Team. Additionally, Luigi was prominently featured in Super Mario 3D World and NES Remix 2, along with being featured in merchandise.

Beffitingly for Nintendo's famous underdog, Nintendo later reported $457 million in annual operating losses for 2013, making it one of the worst years in the company's history.

A common belief relating to Rare's work with Nintendo in the 1990s is that the Banjo-Kazooie series and the early family-friendly iteration of the Conker series were originally intended to share a universe with Donkey Kong. By extension, this would also connect them to the Mario series. This belief stemmed from Banjo and Conker's debuts as playable characters in Diddy Kong Racing, other shared characters (e.g. Gnawty, a beaver who appears in both Donkey Kong Country and Banjo-Kazooie), and other planned appearances like the Ice Key from the Banjo-Kazooie series' unused Stop 'n' Swop feature being found in the data for Donkey Kong 64. This interpretation was so popular at one point that the largest English-language Mario fan wiki, Super Mario Wiki, hosted articles about Banjo-Kazooie and Conker characters.

However, Banjo-Kazooie creator Gregg Mayles has stated that Rare's non-Donkey Kong games were never intended to share a universe with Donkey Kong, while Conker's Bad Fur Day director Chris Seavor has gone on to say that Banjo-Kazooie and Conker also do not share a universe.

While Mario's mustache, red shirt and blue overalls were described by Miyamoto as the result of technical limitations, there's a possibility that they were also inspired by an issue of the Japanese men's fashion magazine Popeye, named after the fictional character that Mario was already partly inspired by. The March 1980 issue of Popeye magazine features cover art of a man with a mustache wearing a red shirt with blue overalls.

Concept art for Paper Mario: Color Splash shows that the captain of the Violet Passage was at one point going to have a dark skin tone. This would've marked the first instance of a Toad with a distinct skin color (not counting usually-pale Toads under a transformation) in a Mario game, but not the first instance of a non-pale Toad in the Mario franchise as a whole. The Super Mario Bros. Super Show featured a one-off Native American Toad named Pronto, a parody of Tonto from The Lone Ranger, in the episode "The Provolone Ranger".

In the 2020 Sonic the Hedgehog film, Sonic’s disdain of mushrooms could be a jab at his rivalry with Mario in the 90s. This is reinforced in the Thai dub of the film, where the joke about Tom saying that Sonic won’t be the only “fungi” on the mushroom planet is replaced with “at least you can have a mushroom forever,” to which Sonic replies with “No. I’m not Mario”.

Nintendo possibly “returned the favor” in 2023’s The Super Mario Bros. Movie, where the Super Mario Bros. Plumbing advertisement features a map with one of the landmarks listed as “Mushroom Planet”.

There is a cactus prop at Universal Studios' Super Nintendo World that does not originate from an official Mario game, but rather the fanmade mod Newer Super Mario Bros. Wii. At the time of the park's opening, a Google search for "new super mario bros wii cactus" would show images of Newer's desert levels alongside New Super Mario Bros. Wii, meaning that the cacti was likely added by accident, being mistaken for official Nintendo material.

A popular internet joke upon the release of Super Mario 64 was "What happened to Super Mario 4 through 63?" If one is to calculate every Mario game released before Super Mario 64, including outliers such as ports and titles not released on Nintendo hardware like Mario Teaches Typing, the game would be the 113th title on the series. However, if you were to only count games released on non-devoted Nintendo hardware and remove ports, the title would be, very anti-climactically, the 63rd Mario game.

In the E3 2019 Nintendo Direct presentation, the new CEO of Nintendo of America, Doug Bowser, was introduced with a joke comparing his last name to the antagonist of the Mario series, Bowser. However, in Japanese, the character’s name is “Koopa”, so in the Japanese broadcast of the Nintendo Direct, they clarified the joke with subtitles explaining that his name is Bowser in English-language releases.

When Super Mario Bros. 35 and Super Mario 3D All-Stars were released, they were criticized for being preemptively planned to be pulled from digital storefronts on March 31, 2021. This, along with the DIC Mario cartoons coincidentally being moved from Netflix to Paramount+ on the same day, spawned an internet meme depicting Mario as receiving a medieval public execution by Nintendo on that date.

Yoshi's Story was the first Mario series game to be rated E for Everyone instead of K-A for Kids to Adults due to the changeover by the ESRB from the previously used K-A rating in 1998.

One criticism that the 2023 film "The Super Mario Bros. Movie" received is that while composer Bryan Tyler collaborated with Nintendo veteran composer Koji Kondo to create a score that incorporates orchestrated rearrangements of iconic songs from the Mario franchise, there were too many moments of Illumination-mandated pop songs replacing the score in certain scenes. The most infamous example of this being the replacement of the original composition "Driving Me Bananas", a medley of songs from the Donkey Kong Country games, with a-ha’s "Take on Me" feeling somewhat out of context.

According to Jamey Scott, who worked in the film's sound department, Tyler fought hard to keep his orchestrated rendition of the Super Star theme in the film over the studio's suggestion of Van Halen's "Jump", and succeeded.

As of 2023, Mario has prominently appeared in at least one theatrical film per decade since he was created in 1981:
•1986’s Super Mario Bros: The Great Mission to Rescue Princess Peach, which is one of the first film adaptations of a video game.
•1993’s Super Mario Bros, the first live-action film adaptation of a video game.
•2007’s The King of Kong: A Fistful of Quarters, a documentary that revolves around Steve Wiebe attempting to usurp Billy Mitchell’s high score on Donkey Kong.
•2015’s Pixels, which incorporates Donkey Kong as the final boss of the film’s climax (alongside Mario making a brief cameo).
•2023’s The Super Mario Bros. Movie, which is the first video game film to make $1 billion dollars at the box office.

Interestingly, the two films that weren’t direct adaptations of the games, The King of Kong and Pixels, were directed and produced respectively by Seth Gordon, who considered making a 3D film adaptation of Super Paper Mario back in 2008.

According to Super Mario Bros. Wonder's art director Masanobu Sato, Shigeru Miyamoto reportedly explained during the development of the first Super Mario Bros. that the reason why Goombas damage Mario when walking into them is because they bite Mario on impact. Due to graphical and hardware limitations, this could not be shown at the time. However, while Super Mario Bros. Wonder is thought to be the first game in the mainline series that shows this detail in gameplay, it's not the first game in the overall franchise to show it, as Goombas had been seen biting in earlier spin-off games like Super Mario RPG: Legend of the Seven Stars.

In 1983, an album was released on vinyl by Kid Stuff Records titled Donkey Kong (alternatively called Donkey Kong Goes Home), retelling the story of the video game of the same name. It is notable for not only potentially being the first time Mario was voiced (having an unknown release date in 1983, which was also the debut year of Saturday Supercade), but also giving Mario a stereotypical Italian accent with an "-a-" verbal tic as opposed to the gruff Italian-American accent that would be used in multimedia projects for the rest of the 80s (including Saturday Supercade), predating Charles Martinet's debut as Mario in Mario Teaches Typing by 8 years. According to Kid Stuff Mario voice actor Pat McBride, the reasoning for this voice direction was


Nintendo never gave the team behind Donkey Kong Goes Home any form of guidance for the project, and did not give any word - positive or negative - about the finished album beyond approving it.

Ever since Samantha Kelly became the voice of Peach, Toad and Toadette starting in 2007, she would always record her voice lines for Peach first whenever recording new dialogue. This is because her voice is unable to go high enough after doing the more extreme sort of voice that Toad has.

Years prior to the animation studio Illumination having a film based off the Mario franchise with the 2023 film "The Super Mario Bros. Movie", the series had been referenced in a handful of films by the same studio, including Donkey Kong references in "Dr. Seuss' The Lorax" and "Despicable Me 3", and an homage to kicking a Koopa Troopa shell featured in "The Secret Life of Pets".

The audio used for Bob-ombs, Monty Moles and Goombas in various games starting with Super Mario 64 is actually pieces of Mario's voice saying "Here We Go" from said game after being pitch-shifted. This would continue being the case even after Charles Martinet was replaced with Kevin Afghani starting with Super Mario Bros. Wonder.

In the 2023 film "The Super Mario Bros. Movie", Mario and Luigi's family are prominently featured. This includes:

• Their Father, voiced by Charles Martinet (and bears a resemblance to Talon from The Legend of Zelda: Ocarina of Time)
• Their Mother, who previously appeared in "The Super Mario Bros. Super Show!" and is voiced here by Jessica DiCicco
• Uncle Arthur, voiced by John DiMaggio
• Uncle Tony, voiced by Rino Romano (and was coincidentally mentioned in live-action segment "Glasnuts" from the TV series "The Super Mario Bros. Super Show!")
• Aunt Marie, who's presumably married to Uncle Arthur
• An unnamed niece, who's most likely Marie and Arthur's daughter, being a first cousin once removed that's referred to as a "(second) niece"
• An unnamed grandfather, who's implied by the co-director Aaron Horvath to previously have been a boxer and wears an outfit similar to Luigi in the 1983 commercial for the Atari ports of Mario Bros.

Interestingly, all of the credited voice actors for the family are all of Italian descent to stay true to the family's Italian heritage.

According to Shigeru Miyamoto, the design of the family were based on character design sheets that former Nintendo illustrator Yoichi Kotabe drew decades before the film began production.

In a 1996 interview with Shigeru Miyamoto published in Super Mario 64's first Japanese strategy guides, he revealed that Mario's running animation, speed and movements in that game were influenced by Arale, the main protagonist of the 1980 Akira Toriyama manga/anime "Dr. Slump":


However, Dr. Slump's influence throughout the Mario series could trace back even further. Some particular examples from Mario games include:

• His running speed, animation, the Racoon and Tanooki Suits from Super Mario Bros. 3
• The Wing Cap from Super Mario 64
• The Cat Suit from Super Mario 3D World

Even traits of Mario's happy cartoonish personality, his short stature and gloves, and blue-red-overalls color scheme bear enough similarities that they all could have been taken from Arale's appearances and other elements throughout Dr. Slump. Despite this, outside of Miyamoto's comment, these connections are not known to have been elaborated on by any other employee from Nintendo.