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![Attachment](/media/thumbs/6/15010.png)
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In a 2010 Eurogamer interview, the game's director Hidetaka Miyazaki revealed that the game's Black and Blue Phantom multiplayer elements were inspired by his experience of driving on a hillside after some heavy snow:
"The origin of that idea is actually due to a personal experience where a car suddenly stopped on a hillside after some heavy snow and started to slip... The car following me also got stuck, and then the one behind it spontaneously bumped into it and started pushing it up the hill... That's it! That's how everyone can get home! Then it was my turn and everyone started pushing my car up the hill, and I managed to get home safely.
But I couldn't stop the car to say thanks to the people who gave me a shove. I'd have just got stuck again if I'd stopped. On the way back home I wondered whether the last person in the line had made it home, and thought that I would probably never meet the people who had helped me. I thought that maybe if we'd met in another place we'd become friends, or maybe we'd just fight...
You could probably call it a connection of mutual assistance between transient people. Oddly, that incident will probably linger in my heart for a long time. Simply because it's fleeting, I think it stays with you a lot longer... like the cherry blossoms we Japanese love so much."
But I couldn't stop the car to say thanks to the people who gave me a shove. I'd have just got stuck again if I'd stopped. On the way back home I wondered whether the last person in the line had made it home, and thought that I would probably never meet the people who had helped me. I thought that maybe if we'd met in another place we'd become friends, or maybe we'd just fight...
You could probably call it a connection of mutual assistance between transient people. Oddly, that incident will probably linger in my heart for a long time. Simply because it's fleeting, I think it stays with you a lot longer... like the cherry blossoms we Japanese love so much."
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![Attachment](/media/thumbs/5/11041.jpg)
If one examines the picture in the lower right of the page carefully, they will see that the characters pictured are given names referencing several "Simpsons" characters. These include Bobo, the bear Mr. Burns owned as a child from episode "Rosebud;" Lisa Lionheart, a doll that Lisa attempted to market in the episode "Lisa vs. Malibu Stacy;" and Princess Kashmir, an exotic dancer first appearing in the episode "Homer's Night Out."
There is also a reference to popular American radio broadcaster Barret Hanson, otherwise known as "Dr. Demento."
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Demon's Souls and possibly the rest of the Soul's game series almost did not come to be, as there were problems with building an ideal prototype for the game. According to Hidetaka Miyazaki, "Demon's Souls wasn't doing well [...] The project had problems and the team had been unable to create a compelling prototype. But when I heard it was a fantasy-action role-playing game, I was excited. I figured if I could find a way to take control of the game, I could turn it into anything I wanted. Best of all, if my ideas failed, nobody would care "it was already a failure." Miyazaki was eventually assigned to the game after initially working on the Armored Core series and reportedly "changed everything about it."
The initial launch of the game was not favorable, as it only sold 20,000 copies in the first week, far fewer than Sony had hoped. However, good word of the game began to spread rapidly and within a few months, the game had sold over 100,000 copies in Japan, which then prompted a Western release of the game, garnering another 150,000 sales in the first month.
The initial launch of the game was not favorable, as it only sold 20,000 copies in the first week, far fewer than Sony had hoped. However, good word of the game began to spread rapidly and within a few months, the game had sold over 100,000 copies in Japan, which then prompted a Western release of the game, garnering another 150,000 sales in the first month.
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An early prototype of the tutorial level is still on the game's disc, and can be accessed via hacking tools. It's essentially the same level as the tutorial level in the final version, but with various differences.
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![Attachment](/images/display/audio.png)
The "true death" essentially meant if the player died while in soul form, they would lose more than just the souls they collected beforehand. Due to how it was worded, it was not clear if it meant everything (gear, items, levels, etc) were lost or if the player would keep their obtained gear but lose their levels. The player would also be bound to a "Stone Monolith" after true death, but nothing more referring to the Monolith could be found in the files. It also meant that the player collecting their bloodstains would have not only given them their souls but also their body.
The mode was likely cut due to being too unforgiving, if the intention of it was to be a part of the regular gameplay. In the final version of the game, the bloodstains simply returned the lost souls to the player and they could simply re-obtain their body in a number of different ways.
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![Attachment](/images/display/audio.png)
The Hanging Woman is heavily implied to be the daughter of Stockpile Thomas, as in the beginning of the Boletarian Palace (World 1-1) there is a location of two hanging corpses that can be cut down, one holding a female armor set (Old Raggedy Robes) and the other a Jade Hair Ornament. According to the event triggered by Stockpile Thomas, the Jade Hair Ornament belonged to his daughter. It is not known if the Raggedy Robes belonged to her as well, or some other woman, who may have been her mother/Thomas's wife who also did not make it out alive or just another different person.
The event was never finished, as in the final version of the game the two hanging corpses found are actually male and already dead, which implies the two simply picked up the Jade Hair Ornament and Raggedy Robes before being killed.
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![Attachment](/media/thumbs/4/9181.png)
It is possible the Library level idea was later reused in From Software's next souls-game, Dark Souls, to create The Duke's Archives.
There is also unused art that is loaded with the environment textures for the Nexus, possibly of the outside area of the Nexus.
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![Attachment](/media/thumbs/4/9120.jpg)
However, there were originally plans to have the area be accessible, with the name of the stage called "The Northern Limit." A large leftover map has been found, with a large number of unused enemies and NPCs;
• Serpent Men, Wolf Warriors, Bear Warriors, Hyena Warriors, Owl Mages, Wounded Wolfs and "Shadow Birds" (A demon-like crow) were set to spawn in the map. The idea of the Serpent Men were reused in the next Soul's game, Dark Souls.
• A very large Yeti-like monster with a large mouth on it's torso.
• "Mimic" Statues called "March planarian" that have two forms; A "passive" statue like one, presumably to disguise itself as a statue, and a "berserk" version, presumably after it has caught the player off guard.
• Two animal-like creatures, a Wounded Wolf and a Crow-like demon called a "Shadow Bird."
• Two unique NPCS. One is a robed man with a monocle that only has idle animations, who is set to load in the second area of the map. The other is a woman which named "Wandering Demon", but may also be called "Filthy One" according to text-dumps. She wears a red dress, has insects crawling on her, wields a serpent staff and was set to spawn in the first and second areas of the map.
It is not known why the area was cut and left unfinished, but it is presumed to be because of time limitations.
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![Attachment](/media/thumbs/4/9060.jpg)
The pose itself was almost never included in Demon's Souls, as according to director Hidetaka Miyazaki "When I presented the game to the rest of the company I showed them that pose and one of the higher ups told me it just wasn't cool enough. Of course I told him I'd get rid of it but I secretly kept it in the game."
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The Old Monk, the boss of world 3-3, is arguably one of the most unique bosses in video game history. While at its base the fight is merely a Black Phantom enemy NPC summoned by the Monk himself, when Online Play is activated the Black Phantom can actually be another player. Any players with summon signs in the Tower of Latria can be summoned to play the role of the Monk's Black Phantom. The Black Phantom players retain all their equipment and abilities, as well as gaining some innate magic attacks by the Monk, giving the boss fight incredibly diverse possibilities.
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Though difficult, it is possible to defeat the Vanguard at the end of the tutorial stage. Doing so will lead the player to a room within the Dragon God's lair in the Stonefang Mine, where several Grasses and Stones lay as a reward. However, after going as far as they can a cutscene ensues where the Dragon God kills the player in one blow, setting in motion the events that would have happened by dying at the Vanguard's hands instead.
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Throughout the game, mention is made of several heroes of Boletaria who were devoured by the fog along with King Allant. When Allant returned he, as well as all his men, were said to actually be demons taking their forms. In World 1-4, the Black Phantoms of the original heroes block the path.
Alfred, the Knight of the Tower, became the Tower Knight in 1-2. Curiously, this phantom also wears the armor of the Twin Fangs, Vallarfax and Biorr, the corpse of the latter supposedly in Mildred's excecution grounds in 1-1.
Metas, the Knight of the Lance, became the Penetrator in 1-3. Curiously, both the demon and Black Phantom use an incredibly long sword, not a lance.
Long Bow Oolan is left out, though it is said Oolan led a legion of archers, a characteristic similar to the legion-like qualities of the boss Phallanx in 1-1. This is debatable, though, seeing as Phallanx's legion actually uses spears and shields, and its soul forms the Scraping Spear that Alfred's Black Phantom uses.
Alfred, the Knight of the Tower, became the Tower Knight in 1-2. Curiously, this phantom also wears the armor of the Twin Fangs, Vallarfax and Biorr, the corpse of the latter supposedly in Mildred's excecution grounds in 1-1.
Metas, the Knight of the Lance, became the Penetrator in 1-3. Curiously, both the demon and Black Phantom use an incredibly long sword, not a lance.
Long Bow Oolan is left out, though it is said Oolan led a legion of archers, a characteristic similar to the legion-like qualities of the boss Phallanx in 1-1. This is debatable, though, seeing as Phallanx's legion actually uses spears and shields, and its soul forms the Scraping Spear that Alfred's Black Phantom uses.
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