Paper Mario: The Thousand-Year Door
Paper Mario: The Thousand-Year Door
July 22, 2004
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subdirectory_arrow_right Paper Mario: The Thousand-Year Door (Game)
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Attachment The gender identity of the party member Vivian is inconsistent between different language translations of the original game. In the Japanese version, Vivian identifies and presents as female, but is described by other characters in the game as actually being an effeminate-looking male, aligning with common media depictions of transgender or gender non-conforming characters at the time, but not explicitly referring to Vivian as such. A rough translation of the Japanese text for Vivian as a party member reads:

"カゲ三人組の一人だった オンナのコのようで ホントは オトコのコ"
"One of the shadow group, Vivian appears to be a girl but is really a boy."

The French version directly carries this over and additionally describes Vivian as a boy pretending to be a girl, while the Spanish version describes Vivian as a boy who looks like a girl. However, according to former Nintendo of Europe translator Pol Roca, Vivian's Spanish name "Bibiana" was intended to be a reference to the Spanish transgender actress Bibiana Fernández, who starred in the 1977 film Cambio de Sexo (or Sex Change).

The English and German versions remove any references to being transgender or gender non-conforming, implicitly portraying Vivian as a cisgender woman with "a bit of an inferiority complex". Instead of being bullied over her biological sex, her sisters instead belittle her for her appearance.

The Italian version of the game on the other hand explicitly depicts Vivian as an openly proud transgender woman, with the localization reconfiguring her relationships with gender identity and her sisters by having Marilyn and Bedlam's bullying being rooted in jealousy, traits which are absent in the Japanese script:

Vivian: "We'll defeat that Mario guy! 'Cause we are 'The three shadow sisters'!"
Marilyn: "How can you define us as 'The three shadow sisters'? You are a man! A MAN!"
Vivian: "That’s true, you are two sisters… But I am a woman too now, and I'm proud to have turned into a woman!"
Marilyn: "Hmph. And you surely think you are more beautiful than we are, huh? You deserve a punishment for that!"

The English release of the Nintendo Switch remake follows the Italian version of the original game in unambiguously describing Vivian as a transgender woman, most prominently featuring a line where Vivian states that "it took me a while to realize that I was [Marilyn and Beldam's] sister... not their brother." It's currently unknown if Vivian's portrayal in other translations of the remake has changed from the original release.
person gaiages calendar_month April 11, 2013
The Cutting Room Floor article on original GameCube release differences:
https://tcrf.net/Paper_Mario:_The_Thousand-Year_Door/Regional_Differences#Vivian

Japanese script example of Vivian's original portrayal:
http://themushroomkingdom.net/pmttyd_j2e.shtml#vivian

"Transgender in Games: A Comparative Study of Transgender Characters in Games" by Emil Christenson and Danielle Unéus:
http://www.diva-portal.org/smash/get/diva2:1146698/FULLTEXT01.pdf

Article about Italian localization in video games by Francesca Di Marco, a former localization specialist for Square Enix, including a section on Vivian's portrayal:
https://web.archive.org/web/20210607111528/http://www.fti.uab.es/tradumatica/revista/num5/articles/06/06central.htm

Pol Roca tweet and Bibiana name in the Spanish version [info and links provided by Rocko & Heffer]:
https://www.twitter.com/polroc/status/1702660171737059808
https://www.youtube.com/watch?v=fumoIEFxjKU#t=1102s

My Nintendo review which discusses the restoration of Vivian's transgender identity in the English release of the Switch version:
https://mynintendonews.com/2024/05/21/review-paper-mario-the-thousand-year-door-for-nintendo-switch/


Attachment sources for "Looking for a gal!" Trouble Center mission Vivian interactions in the original game. Footage of the Vivian interaction in the French, German, Italian, and Spanish translations could not be found at this time:

English version ("Whoa! You sure are cute... But, um... That whole goth shadow thing is a bit... Creepy! There, I said it!"):
https://www.youtube.com/watch?v=GI_xG-knJE8#t=39s

Japanese version ("おお! これは かわいい。。。 ってキミ。。。 どっちゃなの?。。。 オトコ。。。 だよね。。。
ようするに オスじゃん!"):
https://www.youtube.com/watch?v=GIFTyRFZJO4#t=86s
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Attachment In the X-Naut Fortress there is a changing room. If you drop into the room from the vent above, both you and your partners will turn into 8-bit sprites, with the original Super Mario Bros music playing in the background. You can turn back to normal by exiting the room.
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All of the partners from the first Paper Mario were originally going to make cameo appearances in this game, but were scrapped for unknown reasons. However, Parakarry and Lady Bow do remain in the game, and make appearances at the beginning and in Poshley Heights after completing the game, respectively.
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Attachment The enemy character Red Bones' name in Japanese is "Buraddi Honenoko", which translates to "Bloody Son of Bone" (or "Bloody Dull Bones"), which could hint to a Koopa Troopa having met a gory demise, then being resurrected as a Dry Bones, but still had a stained shell.
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When Peach starts up Sir Grodus' computer, the opening sequence featuring is actually the startup animation from the Famicom Disk System. The yellow disk also resembles one of the FDS's game disks.
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At one point, the parrot below Creepy Steeple might say "Shine get! Shine get!", a reference to the phrase in the Japanese release of Super Mario Sunshine.
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One of the crows in Twilight Town talks about opening a real estate website called "Luigi's Mansion," but his friend warns him against possible copyright infringement.
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Lord Crump's theme has the sound of Pac-Man (Atari 2600) dying mixed into it.
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Attachment A small toad in Petalburg will rave about his favorite video games. First he will talk about Fire Emblem for the Game Boy Advance. Later he'll be talking about Paper Mario for the Nintendo 64. Finally, he'll tell you that he's playing Paper Mario: The Thousand-Year Door itself, and states that the ending is worth playing the game all the way through.
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Attachment The house in the back alley of Rogueport's main square originally had a toad-shaped chalk outline and dried blood on the floor. These signs of violence were removed from the U.S. version of the game.
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In the German version, the Snow World is called "Großfrostheim" which translates into "Great Frost Home". This, however, is a reference to the German city "Großostheim", which is where the Nintendo of Europe headquarters are located, and where the game was localized.
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In the Spanish version, Rawk Hawk is named Hawk Hogan as a reference to Hulk Hogan.
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